Archive for July, 2009

Francisco Costa

Wednesday, July 29th, 2009

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Francisco Costa (born 1961)is the creative director of Calvin Klein Collection. He is also the winner of the Council of Fashion Designers America (CFDA) award for best womenswear designer in March 2006 as well as in June 2008. Costa’s designs have sometimes estranged longtime Calvin Klein customers. His clothes are lighter and more feminine than those marketed by Calvin Klein previously.

Contents

1 Youth, Education, and Training

2 Senior Designer at Calvin Klein

3 Fashion Collections 2004 - 2007

4 Private Life

5 References

//


Youth, Education, and Training

Costa is the second youngest of five children. He grew up in Guarani, Brazil, where his mother, Maria-Francisca, owned a children’s wear factory. She began her business producing dresses commissioned by a traveling salesman. Costa’s father, Jacy Neves da Costa, ran a small ranch. In his hometown of 4,000 people, Costa put on fashion shows for charities. His size is compact and he has brown eyes. Being civic minded by nature, his mother was like the mayor of the town. She presided over her family. Costa remembers there being fifteen people at his family’s lunch table.

When his mother died in 1981 he left with a friend for New York City. He was twenty and spoke no English at the time. He enrolled in a language class at Hunter College and took courses at the Fashion Institute of Technology at night. He obtained employment with Herbert Rounick, whose Seventh Avenue (Manhattan) company made dresses for Oscar de la Renta and Bill Blass. Costa went to work for de la Renta after Rounick’s death, designing for the firm’s Japanese licenses. Costa credits de la Renta with teaching him the most about both designing clothes and life. He remained with the company for five years.

Senior Designer at Calvin Klein

Klein’s partner, Barry Schwartz, brought Costa’s name to Klein’s attention in 2001. Costa became the principal designer for Calvin Klein at the age of 42, in September 2003. Earlier in the year Klein sold his company to Phillips-Van Heusen for approximately $730 million. Costa joined the Klein design group in 2001 after working for Gucci, where he was an assistant to Tom Ford. Their first collaboration is known as the Cher Collection. Costa was mentioned as a possible replacement when Ford retired from designing for Gucci and Yves Saint Laurent, in late 2003.

Fashion Collections 2004 - 2007

He emphasized trouser suits for women as opposed to ruffles in the spring 2004 collections. His creations stress the idea of freedom in dress with female underpinnings. With evening dresses Costa’s designs reveal both flesh and underpants, often accentuated by the cool hues of the sea. He is not uptight concerning nudity and lingerie. Costa prefers sensuality in sexual imagery as opposed to the more explicit ads used to market Calvin Klein clothes formerly.

For 2004 his models wore stretch bras and underpants in foundation colors. Costa utilized a clingy, transparent material for daytime skirts. He combined them with cashmere tops, which sometimes gave the look an artificial quality. Costa’s loose cotton shorts, modelled with cardigan sweaters, were layered over rumpled white shirts and men’s ribbed undershirts. This look reflected the late 1970s styles when designers like Calvin Klein and Perry Ellis came to prominence.

Costa maintains a ledger-size mood book in his studio. In early 2004 photographs of horses by Max Eastman appeared frequently in these volumes. Costa is inspired by the coats of horses, especially in his palettes of sepia and cream. The textures of his collection owe much to pony skin, alpaca, and leather. He enjoys photographs of Lauren Hutton and Charlotte Rampling from the 1970s, particularly ones which have them posed in close proximity with ponies and stallions. Costa said, These women are thoroughbreds.

In the fall of 2004 Costa introduced washed silk dresses and black wool felt coats. The clothing was given weight by the librarian brogue heel, variations of which first appeared at Calvin Klein. The style was exceedingly popular during both the Paris, France and Milan, Italy shows.

In his collection for Spring 2005 Costa showed a sea-green silk dress wrapped like a towel. An alternative of the dress, of like color and style, was unveiled on the runway in September 2004. The silk dress was coveted by many buyers and was shipped to stores in the late fall and early winter.

The original inspiration for this collection were primitive wood sculptures by Brancusi. After spending a week in Wyoming Costa aspired to capture the surreal hues of green, blue, and orange, which he had observed juxtaposed with the western landscape at Yellowstone National Park. Costa purchased silk and viscose jersey (clothing) in the garment center of New York City. He had these dyed to match the colors he had photographed in Wyoming. Next he pinned…(and so on)
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The City of Lost Children

Wednesday, July 29th, 2009

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The City of Lost Children

The City of Lost Children Promotional Movie Poster (France)

Directed by

Jean-Pierre JeunetMarc Caro

Produced by

Ficie Dutertre

Written by

Gilles AdrienJean-Pierre Jeunet

Starring

Ron PerlmanDaniel EmilforkJudith VittetDominique Pinon

Music by

Angelo Badalamenti

Cinematography

Eric CaroPhilippe LeSourdDarius Khondji

Editing by

Ailo AugustHerve Shneid

Distributed by

Sony Pictures Classics

Release date(s)

May 17, 1995

Running time

112 min.

Country

France

Language

French

Budget

$18,000,000

The City of Lost Children (French: La Cit des enfants perdus) is a dystopian French fantasy/drama film by Marc Caro and Jean-Pierre Jeunet released in 1994. The film is stylistically related to the previous and subsequent Jeunet films, Delicatessen and Amie.

Contents

1 Plot

1.1 Detailed synopsis

2 Cast

3 Video game

4 See also

5 References

6 External links

//


Plot

The movie revolves around a plot by the mad scientist Krank (Daniel Emilfork), who kidnaps children to steal their dreams. Among them is the little brother of carnival strongman One (Ron Perlman), who sets out to rescue him and stop Krank. Aided by an orphan girl named Miette (Judith Vittet), he eventually manages to overcome many obstacles and stops Krank.

Detailed synopsis

The movie opens with a scene in which a small boy in his bedroom is surprised by Santa Claus emerging from the fireplace and giving him a toy. The pleasant scene soon turns grim, however, as many more Santa Clauses enter the room, scaring the child. The scene is abruptly ended with a close-up of Krank, screaming, and being released from a strange, elaborate machine. The little boy from the dream sequence is also revealed to be attached to the machine, and Krank moves up to him, glaring menacingly. A brain in robotic machine, known as Irvin, proceeds to explain that Krank stole the boys dream, and questions whether Krank’s plot will end well. Also in the room are several clones of the exact same man, and a midget woman, who is shown to be a motherly figure. An enraged Krank takes the boy’s teddy bear and angrilly tosses it out a window, where it is seen falling off the oil platform into the sea.

The image of the sea fades to a small port town, where a carnival is being held. A shot reveals several posters declaring children to be missing. At the carnival, we see a small child picking pockets, a group of missionaries for a strange religious cult of blind men (known as Cyclops), and a show with a strongman, known as One. Just as One is about to break his chains, there is a scream from the public, as a little boy, who was collecting money for the show, is seen biting the arm of the pickpocket. The ringmaster drags him upstage, but another man also jumps upstage, covertly stabbing the man and escaping the scene. One is seen breaking his chains, and proceeds to take the ringmaster home.

Later that evening, we see One in his home, taking care of the injured ringmaster and his little brother, Denr. Suddenly, several members of the Cyclops cult arrive, equipped with some kind of mechanical eye that allows them to see (labeled Optacon), as well as a device that makes their hearing supersensitive. As they dangle a candy apple in front of the window to lure Denr outside, they later go inside, finding Denr and One hiding in a cupboard. One attempts to kick the Cyclops out, but they manage to take Denr and escape in their truck. One pursues the truck, but is followed by two of the Cyclops that had stayed behind. Deciding to hide inside the harbormaster’s office, One is surprised to find several small children inside, robbing a safe. They see the Cyclops coming, and dress up One as the harbormaster, tying him to a chair. The Cylops enter, and take what remains of the money from the safe, then leaving. The children leave as well, but One follows them, believing they know where to find the Cyclops. They tell him to get lost.

Back on the oil platform, the clones and the woman are seen celebrating Irvin’s birthday. Krank enters, and asks what all the fuss is about, and leaves again, to be called back by Irvin. Irvin says Krank might be able to solve his problems by studying his own tears. Asking who could make him cry, Irvin proceeds to detail the oil platform’s history: Once, there was a highly gifted scientist. Lacking a wife or children, he proceeded to make his own. He started with the wife, making her very beautiful, but due to a defect, she turned out a midget. For his children, he made six clones of himself, but they too had a defect, all being narcoleptic. Wanting someone to talk to, he created a migraine-ridden brain in a jar. And then, his masterpiece, a man more intelligent than anyone on earth….(and so on)
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Leave It to Psmith

Wednesday, July 29th, 2009

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(Redirected from Leave it to Psmith)

Leave it to Psmith

Author

P. G. Wodehouse

Country

United Kingdom

Language

English

Genre(s)

Comic novel

Publisher

Herbert Jenkins

Publication date

November 30, 1923

Media type

print (hardcover)

Pages

327 pp

ISBN

NA

Preceded by

Psmith, Journalist (Psmith), Something Fresh (Blandings)

Followed by

Blandings Castle (shorts), Summer Lightning (novel)

Leave it to Psmith is a comic novel by P. G. Wodehouse, first published in the United Kingdom on November 30, 1923 by Herbert Jenkins, London, and in the United States on March 14, 1924 by George H. Doran, New York. It had previously been serialised, in the Saturday Evening Post in the U.S. between February 3 and March 24, 1923, and in Grand in the UK between July and December that year; the ending of this magazine version was rewritten for the book form.

It was the fourth and final novel featuring Psmith, the others being Mike (1909) (later republished as Mike and Psmith (1953)), Psmith in the City (1910), and Psmith, Journalist (1915) - in his introduction to the omnibus The World of Psmith, Wodehouse said that he had stopped writing about the character because he couldn’t think of any more stories.

It was also the second novel set at Blandings Castle, the first being Something Fresh (1915). The Blandings saga would be continued in many more novels and shorts.

The story was adapted into a play by Wodehouse and Ian Hay, which first played at the Shaftesbury Theatre, London from September 27, 1930 and ran for 156 performances. An Indian television serial called Isi Bahane was based on the same novel.

Contents

1 Plot introduction

2 Plot summary

3 Characters in Leave it to Psmith

4 See also

5 External links

6 References

//


Plot introduction

Although the main character is Psmith (here called Ronald Eustace rather than Rupert as in previous books), the bulk of the story takes place at Blandings Castle and involves various intrigues within the extended family of Lord Emsworth, the absent-minded elderly Earl.

The plot is a typical Wodehouse romance, with Psmith inveigling himself into the idyllic castle, where there are the usual crop of girls to woo, crooks to foil, imposters to unmask, haughty aunts to baffle and valuable necklaces to steal. Among the players is Psmith’s good friend Mike, married to Phyllis and in dire need of some financial help; the ever-suspicious Rupert Baxter is on watch as usual.

Plot summary

Down at Blandings, Lord Emsworth is dismayed to hear from Baxter that he is expected to travel to London to collect the poet Ralston McTodd, invited to the castle by his sister Connie, a keen supporter of the Arts; another poet, Aileen Peavey is already installed at the castle.

Joe Keeble tries to persuade his imperious wife to let him give money to his beloved stepdaughter Phyllis, but is bullied out of it, and when Emworth’s feckless younger son Freddie suggests stealing Connie’s necklace to free up some cash, Keeble is taken with the idea. Freddie, not keen on doing the job himself, sees Psmith’s advert in the paper, and tags along to London with Lord Emsworth.

Meanwhile in the metropolis, we learn that Mike, having married Phyllis on the assumption that his job as estate manager for Psmith’s father would be secure, found on Mr Smith’s death that the old man was bankrupt, and is working as a poorly-paid schoolmaster. Psmith worked for a time for an uncle in the fish business, but could stand the fish no longer and quit.

Phyllis meets some old school friends, including Eve Halliday, an assertive young girl who pities the once-rich Phyllis, believing her too soft to cope with penury. Eve, we learn, is a friend of Freddie Threepwood, and on his encouragement has taken a post cataloguing the Blandings library, while another friend, Cynthia, has been abandoned by her husband, famous poet Ralston McTodd.

Later, Psmith sees Eve sheltering from the rain opposite the Drones, and chivalrously runs out to give her the best umbrella from the club’s umbrella rack. They later meet once more at an employment agency, where Psmith has come seeking work and Eve is visiting an old friend. Psmith meets up with Freddie Threepwood, who describes his scheme to steal Connie’s necklace, but dashes off without revealing his name.

Soon after, Psmith runs into Lord Emsworth at the Senior Conservative Club, where the Earl is dining with Ralston McTodd. The poet is annoyed by Emsworth’s absent-mindedness, especially when the old man potters across the street to inspect a flower shop, and leaves in a rage. When Emsworth returns, he mistakes Psmith for his guest, and when Psmith sees Eve Halliday meeting Lord Emsworth, he decides to visit Blandings, posing as…(and so on)
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Auld Ones

Friday, July 17th, 2009

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Auld Ones

Bernie and Mary

Format

Animation / comedy

Country of origin

Ireland

No. of episodes

26

Production

Running time

5 minutes

Broadcast

Original channel

RT Two

Original run

September 2003 July 2007

External links

Official website

Auld Ones is an Irish animated television programme broadcast on RT Two. It featured the antics of two Dublin pensioners, Bernie and Mary who sit at a bus stop reminiscing about their youthful adventures. The programme symbolises the tedium and meaninglessness of human life, which loosely connects the characters to one of the themes of existentialist philosophy. Divided into two series, it aired on Mondays at 22:40 and is a Wireless Production.

Contents

1 Characters

1.1 Bernie

1.2 Mary

2 Episodes

2.1 Series one

2.2 Series two

3 References

4 External links

//


Characters

Bernie

Details

Name

Bernadette Maria Contracepta Mulligan

Place of birth

St Consumpta’s Maternity Hospital

Starsign

Scorpio

Favourite singer

Ronnie Drew

Mary

Details

Name

Mary Concita Malingo Burke

Date of birth

3 September 1939

Starsign

Pisces

Favourite singer

Herself

Episodes

There are a total of twenty-six episodes aired over two series.

Series one

Series one began broadcasting in September 2003.

#

Episode

Summary

1

“Dodgy Smoked Cod”

Bernie relates a tale of her adverse reaction to a dodgy smoked cod, and the subsequent hallucination where she remembers her first boyfriend Frankie and their ill-fated tryst in the outdoor septic tank.

2

“January Sales”

In preparation for the yearly trip to Guiney’s, the ladies reminisce on the violence of the previous year’s January sales, and the lengths that some people will go for just one bargain.

3

“Intoxicous”

Bernie reveals the unique secret behind her happy marriage, and how she copes with Tommy’s rare drinking disorder, Intoxicous Perpetualis, whereby he must be kept in a state of suspended inebriaion to survive.

4

“PIO”

Mary’s miraculous medal triggers the memories of the Padre Pio Convention, the ladies’ long-time infatuation with their favourite saint and his related merchandise.

5

“Bingo”

Bernie relives her greatest achievement; her victory in the national Bingo Finals (with a little help from her best friend Mary). And we meet her arch-nemesis Big Celia, whose favourite pastime is revenge.

6

“Poltergeist”

Bernie’s account of her outrage over the supernatural mayhem she experienced in her house, and her subsequent domestication of the poltergeist when all the Exorcists were booked out, getting it to perform household chores in lieu of rent.

7

“Cunter-Terrorism”

Bernie describes how she decided to take a night course in The Late Late Show off-season, how the only course available was in Counter-Terrorism, and how she put these skills to good use in her daily life.

8

“Strip Club”

The second anniversary of their friend Bridie’s passing prompts their conversation of how they fulfilled her last wish for one last girl’s night out. They discuss their excursion to the local strip club and the one stripper who really caught their eye that night.

9

“The Internet”

Bernie tells her tale of when she won an “Internet” in a raffle, and how this peculiar assortment of components turned out to be most useful around the house; but not in the way anyone ese would employ a computer.

10

“Snce”

The ladies talk about how, in an effort to settle Bernie’s curiosity about her late twin sister’s affairs, they consulted a medium. The resulting snce consists of cross-dimensional arguments over the location of the heirloom crockery and other unresolved matters.

11

“The Bookies”

When a bookmakers opens up beside the local hospice, the girls avail of the special offer: placing bets on the outgoing patients. Bernie’s “horse” comes in an she spends her accumulator on some extravagant accessories.

12

“Papal Visit”

1981: John Paul II visits Ireland. Bernie describes her scheme that resulted in getting the pontiff to come over for dinner, and the ensuing mishap that led to him getting lost.

13

“Tea Bag Drought”

The girls talk about the dark days of the tea-bag drought, and their moon shining efforts to make their own tea bags; and their experimentation with different ingredients until a satisfactory simulation is found.

Series two

Series two began broadcasting in July 2007.

#

Episode

Summary

1

“A Tale of Two Livers”

Tommy needs a liver transplant and fast. However,…(and so on)
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Heritage Square Museum

Friday, July 17th, 2009

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Heritage Square Museum is a living history museum located in the Montecito Heights neighborhood of Los Angeles, California that tells the story of the development of Southern California through architecture. Eight historic structures, a train car, and a trolly car were all saved from demolition and moved to the site between 1969 - 2005. The museum focuses its efforts on interpreting the years 1850 to 1950, a period of unprecedented growth in Los Angeles. Volunteer interpreters give thorough tours that incorporate the history, architecture, and culture of the region. Other specialized living history events, lectures, and items of historical interest are given on a periodic basis.

Contents

1 Background

2 Structures at the museum

3 The Salt Box

4 External links

//


Background

During the rapid urban expansion of the 1960s, Victorian buildings in Los Angeles were being demolished at an alarming rate. In 1969, at the request of the Los Angeles Cultural Heritage Commission, a group of concerned citizens established the Cultural Heritage Foundation to counteract this destruction. The Foundation organized Heritage Square as a last-chance haven for architecturally and historically significant buildings, which otherwise would have been destroyed.

Structures at the museum

Mt. Pleasant House

The Mount Pleasant House was built in 1876 by prominent businessman and lumber baron William Hayes Perry. Designed by renowned architect E. F. Kysor, the home contains elements meant to display the wealth and status of the family. These elements include corinthian columns, fine hardwood floors, a sweeping staircase, and marble fireplace mantles. When built in then-fashionable neighborhood of Boyle Heights, the Perry Residence was arguably the finest and most expensive residence yet seen in Los Angeles. The outward sweep of the entrance stairway, the brackets under the eaves, the slanted bay windows and the narrow columns are characteristic of its Greek Revival and Italianate style.

In 1975, the house was moved to the museum from 1315 Mount Pleasant Street and restoration was begun by the Colonial Dames Society of America.

Hale House

The Hale House was built in 1887 by George W. Morgan, a land speculator and real estate developer, at the foot of Mount Washington just a few blocks from the museum in Highland Park in Los Angeles.

The house was sold many times and was moved from 4501 to 4425 North Pasadena Avenue (now Figueroa Street) before being purchased by James G. Hale in 1906. It remained in the Hale Family until it was acquired by the museum in 1970. The building is an outstanding example of Queen Anne and Eastlake styles. The exterior colors of Hale House were reproduced from chips of the original colors found on the house during restoration. The interior has been restored to represent the rooms as they may have appeared in 1899.

The Valley Knudsen Garden Residence (Shaw House)

A unique style for the West Coast, the Shaw House is a Second Empire home with a French Mansard styled roof. It is more humble than the Hale and Perry Houses.

The Carriage Barn

The barn was built in 1899 on the grounds of what is now Pasadena’s Huntington Memorial Hospital for Dr. Osborne, a member of the hospital’s staff. Its architectural style is Queen Anne Cottage with Gothic Revival influences. It has three gables and a distinctive pitched roof. The barn was saved from demolition and moved to the Heritage Square Museum in 1981.

Longfellow-Hastings Octagon House

One of only about 500 octagonal buildings remaining in the United States, this building has a story all its own. Based on a philosophy of eight-sided homes being preferable to the standard four-sided variety, the builders of Octagonal structures believe that having windows on all sides offered more light and better air circulation which, in turn, lowers heating and cooling expenses and were easier and cheaper to construct. Fowler’s architectural ideas were popular in the East, where most octagonal structures and homes were built. After the Civil War, however, few people were interested in the Octagonal style.

The Lincoln Avenue Methodist Church

The Lincoln Avenue Methodist Church dates to 1897. Designed in the Carpenter Gothic and Queen Anne styles, the floor plan follows the Methodist tradition of non-axial plans. This plan, with the entrance in one corner and the pulpit in the opposite, is known as the Akron style, having originated in Akron, Ohio.

The John J. Ford House

The Ford House was built in 1887 as part of a large tract of simple middle-class homes in downtown Los Angeles built by the Beaudry Brothers. The home is particularly interesting because of its inhabitant - John J. Ford, a well-known wood carver. Ford’s works include carvings for the California State Capitol, the Iolani Palace in Hawaii, and Leland…(and so on)
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Visor

Friday, July 17th, 2009

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For other uses, see Visor (disambiguation).



Apollo 12 astronaut Alan Bean, wearing a helmet with visor, during the second moonwalk EVA near Sharp Crater.

A visor is a surface that protects the eyes, such as shading them from the sun or other bright light or protecting them from objects. Nowadays many visors are transparent, but before strong transparent substances such as polycarbonate were invented, visors were opaque like a mask with small holes to see and breathe through, such as:

The part of a helmet in a suit of armor that protects the eyes.

A type of hat consisting only of a visor and a way to fasten it to the head.

Any such vertical surface on any hat or helmet.

Any such horizontal surface on any hat or helmet (called a peak in British English).

A device in an automobile that the driver or front passenger can lower over part of the windshield to block the sun (sun visor).

Some modern devices called visors are similar, for example:

Visor (ice hockey)

Types of modern transparent visors include:

The transparent or semi-transparent front part of a motorcycle crash helmet or police riotsquad helmets.

Safety faceshields for construction-type applications.

An eyeshield to protect the eyes from sunlight on an American football helmet.

A shield to protect the eyes from sunlight on a flight helmet.

Green eyeshades, formerly worn by accountants and others engaged in vision-intensive, detail-oriented occupations.

The word vizard (sometimes visard) is used in Shakespearean English to refer to a visor, a mask, or a disguise (ex. “There, then, that vizard, that superfluous case, that hid the worse and show’d the better face.” — Love’s Labors Lost V.ii.387).

References

^ Apollo 12 Image Library

^ http://www.mcmaster.com/#catalog/114/1775

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Reference electrode

Friday, July 17th, 2009

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A Reference electrode is an electrode which has a stable and well-known electrode potential. The high stability of the electrode potential is usually reached by employing a redox system with constant (buffered or saturated) concentrations of each participants of the redox reaction.

There are many ways reference electrodes are used. The simplest is when the reference electrode is used as a half cell to build an electrochemical cell. This allows the potential of the other half cell to be determined. An accurate and practical method to measure an electrode’s potential in isolation (absolute electrode potential) has yet to be developed.

Contents

1 Aqueous Reference Electrodes

2 Nonaqueous Reference Electrodes

3 Pseudo-reference electrodes

4 See also

5 Further reading

6 References

//


Aqueous Reference Electrodes

Common reference electrodes and potential with respect to the standard hydrogen electrode:

Standard hydrogen electrode (SHE) (E=0.000 V) also known as “normal hydrogen electrode” (NHE)

Reversible hydrogen electrode (RHE) (E=0.000 V + 0.0591*pH)

Saturated calomel electrode (SCE) (E=+0.242 V saturated)

Copper-copper(II) sulfate electrode (E=+0.314 V)

Silver chloride electrode (E=+0.197 V saturated)

pH-electrode (in case of pH buffered solutions, see buffer solution)

Palladium-hydrogen electrode



Standard Hydrogen Electrode

Cu-Cu(II) reference electrode

Ag-AgCl reference electrode

Nonaqueous Reference Electrodes

While it is convenient to compare between solvents to qualitativley compare systems it is not quantitatively meaningful. Much as pKa are related between solvents, but not the same, so is the case with E. While the SHE might seem to be a reasonable reference for nonaqueous work as it turns out the platinum is rapidly poisoned by many solvents including acetonitirile causing uncontrolled drifts in potential. Both the SCE and saturated Ag/AgCl are aqueous electrodes based around saturated aqueous solution. While for short periods it may be possible to use such aqueous electrodes as references with nonaqueous solutions the long-term results are not trustworthy. Using aqueous electrodes introduces undefined, variable, and unmeasurable junction potentials to the cell in the form of a liquid-liquid junction as well as different ionic composition between the reference compartment and the rest of the cell. The best argument against using aqueous reference electrodes with nonaqueous systems, as mentioned earlier, is that potentials measured in different solvents are not directly comparable.

A Quasi-Reference Electrode (QRE) avoids the issues mentioned above. A QRE with Ferrocene or similar internal standard (Cobaltocene) referenced back to Ferrocene is ideal for nonaqueous work. Since the early 1960s ferrocene has been gaining acceptance as the standard reference for nonaqueous work for a number of reasons. In 1984 IUPAC recommend ferrocene (II/III) as a standard redox couple. The preparation of the QRE electrode is simple allowing a fresh reference to be prepared with each set of experiments. Since QREs are made fresh there is also no concern of improper storage or maintenance of the electrode. QREs are also more affordable than other reference electrodes.

Making a quasi-reference electrode (QRE).

Inserting a piece of Silver wire into concentrated HCl then allow the wire to dry on a chem-wipe. This forms an insoluble layer of AgCl on the surface of the electrode and gives you a Ag/AgCl wire. Repeat dipping every few months or if the QRE starts to drift.

Obtain a Vycor glass frit (4 mm diameter) and glass tubing of similar diameter. Attach Vycor glass frit to the glass tubing with heat shrink Teflon tubing.

Rinse then fill the clean glass tube with supporting electrolyte solution and insert Ag/AgCl wire.

The Ferrocene (II/III) couple should lie around 400 mV versus this Ag/AgCl QRE in an acetonitrile solution. This potential will varying up to 200 mV with the specific undefined conditions. Thus adding an internal standard such as ferrocene at some point during the experiment is always necessary.

Pseudo-reference electrodes

A pseudo-reference electrode is a term that is not well defined and boarders on having multiple meanings since pseudo and quasi are often used interchangeably. There are a class of electrodes named pseudo-reference electrodes because they do not maintain a constant potential but vary predictably with conditions. If the conditions are known, the potential can be calculated and the electrode can be used as a reference. Most electrode work over a limited range of conditions, such as pH or temperature, outside of this range the electrodes behavior becomes unpredictable. The advantage of a pseudo-reference electrode is that the resulting variation is factored into the system…(and so on)
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Power supply

Friday, July 17th, 2009

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Power supply is a reference to a source of electrical power. A device or system that supplies electrical or other types of energy to an output load or group of loads is called a power supply unit or PSU. The term is most commonly applied to electrical energy supplies, less often to mechanical ones, and rarely to others.

Contents

1 Electrical power supplies

2 Power supply types

2.1 Battery power supply

2.2 Linear power supply

2.2.1 AC/ DC supply

2.3 Switched-mode power supply

2.4 Programmable power supply

2.5 Uninterruptible power supply

2.6 High-voltage power supply

2.7 Voltage multipliers

3 Power supply applications

3.1 Computer power supply

3.2 Welding power supply

3.3 AC adapter

3.3.1 Polarity

4 Overload Protection

4.1 Fuses

4.2 Circuit Breakers

5 Power conversion

6 Mechanical power supplies

7 Terminology

8 See also

9 References

10 External links

//


Electrical power supplies

This term covers the power distribution system together with any other primary or secondary sources of energy such as:

Conversion of one form of electrical power to another desired form and voltage. This typically involves converting 120 or 240 volt AC supplied by a utility company (see electricity generation) to a well-regulated lower voltage DC for electronic devices. Low voltage, low power DC power supply units are commonly integrated with the devices they supply, such as computers and household electronics. For other examples, see switched-mode power supply, linear regulator, rectifier and inverter (electrical).

Batteries

Chemical fuel cells and other forms of energy storage systems

Solar power

Generators or alternators (particularly useful in vehicles of all shapes and sizes, where the engine has torque to spare, or in semi-portable units containing an internal combustion engine and a generator) (For large-scale power supplies, see electricity generation.)

Constraints that commonly affect power supplies are the amount of power they can supply, how long they can supply it without needing some kind of refueling or recharging, how stable their output voltage or current is under varying load conditions, and whether they provide continuous power or pulses.

The regulation of power supplies is done by incorporating circuitry to tightly control the output voltage and/or current of the power supply to a specific value. The specific value is closely maintained despite variations in the load presented to the power supply’s output, or any reasonable voltage variation at the power supply’s input. This kind of regulation is commonly categorized as a Stabilized power supply.

Power supply types

Power supplies for electronic devices can be broadly divided into linear and switching power supplies. The linear supply is a relatively simple design that becomes increasingly bulky and heavy for high current devices; voltage regulation in a linear supply can result in low efficiency. A switched-mode supply of the same rating as a linear supply will be smaller, is usually more efficient, but will be more complex.

Battery power supply

A battery is a type of linear power supply that offers benefits that traditional line-operated power supplies lack: mobility, portability, and reliability. A battery consists of multiple electrochemical cells connected to provide the voltage desired.

The most commonly used dry-cell battery is the carbon-zinc dry cell battery. Dry-cell batteries are made by stacking a carbon plate, a layer of electrolyte paste, and a zinc plate alternately until the desired total voltage is achieved. The most common dry-cell batteries have one of the following voltages: 1.5, 3, 6, 9, 22.5, 45, and 90. During the discharge of a carbon-zinc battery, the zinc metal is converted to a zinc salt in the electrolyte, and magnesium dioxide is reduced at the carbon electrode. These actions establish a voltage of approximately 1.5 V.

The lead-acid storage battery may be used. This battery is rechargeable; it consists of lead and lead/dioxide electrodes which are immersed in sulfuric acid. When fully charged, this type of battery has a 2.06-2.14 V potential. During discharge, the lead is converted to lead sulfate and the sulfuric acid is converted to water. When the battery is charging, the lead sulfate is converted back to lead and lead dioxide.

A nickel-cadmium battery has become more popular in recent years. This battery cell is completely sealed and rechargeable. The electrolyte is not involved in the electrode reaction, making the voltage constant over the span of the batteries long service life. During the charging process, nickel oxide is oxidized to its higher oxidation state and cadmium oxide is reduced. The nickel-cadmium batteries have many benefits….(and so on)
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Resistance thermometer

Friday, July 17th, 2009

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(Redirected from Resistance temperature detector)

Resistance thermometers, also called resistance temperature detectors (RTDs), are temperature sensors that exploit the predictable change in electrical resistance of some materials with changing temperature. As they are almost invariably made of platinum, they are often called platinum resistance thermometers (PRTs). They are slowly replacing the use of thermocouples in many industrial applications below 600.[citation needed]

Contents

1 General description

2 Function

3 Advantages and limitations

3.1 When to use RTDs or thermocouples

4 Resistance thermometer elements

5 Resistance thermometer construction

6 Resistance thermometer wiring configurations

6.1 Two-wire configuration

6.2 Three-wire configuration

6.3 Four-wire configuration

7 History

8 Standard resistance thermometer data

9 Temperature to resistance equation

10 Values for various popular resistance thermometers

11 References

12 See also

13 External links

//


General description

There are two broad categories, “film” and “wire-wound” types.

Film thermometers have a layer of platinum on a substrate; the layer may be extremely thin, perhaps one micrometer. Advantages of this type are relatively low cost and fast response. Such devices have improved in performance although the different expansion rates of the substrate and platinum give “strain gauge” effects and stability problems.

Wire-wound thermometers can have greater accuracy, especially for wide temperature ranges. The coil diameter provides a compromise between mechanical stability and allowing expansion of the wire to minimize strain and consequential drift.

Coil Elements have largely replaced wire wound elements in the industry. This design allows the wire coil to expand more freely over temperature while still provided the necessary support for the coil. This design is similar to that of a SPRT, the primary standard which ITS-90 is based on, while still providing the durability necessary for an industrial process.

The current international standard which specifies tolerance and the temperature to electrical resistance relationship for platinum resistance thermometers is IEC 751:1983. By far the most common devices used in industry have a nominal resistance of 100 ohms at 0 , and are called Pt-100 sensors (’Pt’ is the symbol for platinum). The sensitivity of a standard 100 ohm sensor is a nominal 0.385 ohm/. RTDs with a sensitivity of 0.375 and 0.392 ohm/ are also available.

Function

Resistance thermometers are constructed in a number of forms and offer greater stability, accuracy and repeatability in some cases than thermocouples. While thermocouples use the Seebeck effect to generate a voltage, resistance thermometers use electrical resistance and require a power source to operate. The resistance ideally varies linearly with temperature.

Resistance thermometers are usually made using platinum, because of its linear resistance-temperature relationship and its chemical inertness. The platinum detecting wire needs to be kept free of contamination to remain stable. A platinum wire or film is supported on a former in such a way that it gets minimal differential expansion or other strains from its former, yet is reasonably resistant to vibration. RTD assemblies made from iron or copper are also used in some applications.

Commercial platinum grades are produced which exhibit a change of resistance of 0.385 ohms/ (European Fundamental Interval) The sensor is usually made to have a resistance of 100? at 0 . This is defined in BS EN 60751:1996 (taken from IEC 60751:1995) . The American Fundamental Interval is 0.392 ?/, based on using a purer grade of platinum than the European standard. The American standard is from the Scientific Apparatus Manufacturers Association (SAMA), who are no longer in this standards field.

Resistance thermometers require a small current to be passed through in order to determine the resistance. This can cause resistive heating, and manufacturers’ limits should always be followed along with heat path considerations in design. Care should also be taken to avoid any strains on the resistance thermometer in its application. Lead wire resistance should be considered, and adopting three and four wire connections can eliminate connection lead resistance effects from measurements - industrial practice is almost universally to use 3-wire connection. 4-wire connection need to be used for precise application.

Advantages and limitations

Advantages of platinum resistance thermometers:

High accuracy

Low drift

Wide operating range

Suitability for precision applications

Limitations:

RTDs in industrial applications are rarely used above 660 . At temperatures above 660 it…(and so on)
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Daisy wheel printer

Friday, July 10th, 2009

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Metal Daisy Wheel for Xerox & Diablo printers



Plastic Daisy Wheel for Qume printers



Samples of Daisy Wheel printer output

A daisy wheel printer is a printing technology which produces high-quality output comparable to that produced by high-end typewriters such as the IBM Selectric. It was used in computer printers and typewriters from the early 1970s, before falling from use in printers in the late 1980s following the introduction of cheap laser and inkjet printers which could produce high-quality output at far higher speeds. It is now found only in electronic typewriters.

Contents

1 Description

1.1 Thimble printers

2 History

3 Graphics

4 See also

5 Notes

//


Description

The heart of the system is a readily replaceable metal or plastic “daisy wheel” holding an entire character set as raised characters moulded on each “petal”. In use, a servo motor rotates the daisy wheel to position the required character between the hammer and the ribbon. The solenoid-operated hammer then fires, driving the character type on to the ribbon and paper to print the character on the paper. The daisy wheel and hammer are mounted on a sliding carriage similar to that used by dot matrix printers.

Different fonts and sizes can be used by replacing the daisy wheel, and software allowed for convenient wheel change, usually spacing the carriage to the center of the platen and prompting the user to change the wheel before continuing printing. However, printing a document which frequently alternated fonts and thus required frequent wheel changes was still an arduous task.

Most daisy wheel machines offered a bold type facility, though this is mostly found on later or high-end machines. Bold printing was accomplished by double or triple striking the specified character(s); servo-based printers would advance the carriage fractionally for a wider (and therefore blacker) character, while cheaper machines would perform a carriage return without a line feed to return to the beginning of the line, space through all non-bold text, and restrike each bolded character. The inherent imprecision in attempting to restrike on exactly the same spot after a carriage return provided the same effect as the more expensive servo-based printers, with the unique side effect that as the printer aged and wore, bold text would become bolder.

Like all other impact printers, daisy wheel printers are noisy. Unlike the more familiar whine of a dot matrix printer, a high speed daisy wheel printer sounded like intermittent machine gun fire.

Thimble printers

Thimble printers were closely related to daisy wheel printers, but instead of a flat wheel the petals were bent to form a cup-shaped “thimble” print element. Introduced by NEC in 1977 as their “Spinwriter” series, the replaceable thimbles each held 128 characters.

History

In 1972 a team at Diablo Systems led by engineer David S. Lee developed the first commercially successful daisy-wheel printer, a device that was faster and more flexible than IBM’s golf-ball devices, being capable of 30 cps (characters per second), whereas IBM’s Selectric operated at 10 cps.

Xerox acquired Diablo that same year, following which Lee departed to set up Qume Corporation in 1973. Xerox’s Office Product Division had already been buying Diablo printers for its Redactron text editors. After 7 years trying to make Diablo profitable, the OPD focused on developing and selling the Diablo 630 which was mostly bought by companies such as Digital Equipment Corporation. The Diablo 630 was capable of producing letter quality output that was as good as that produced by an IBM Selectric or Selectric-based printer, but at a lower cost. A further advantage over the Selectric-based printers, was that it supported the entire ASCII printing character set. Its servo-controlled carriage also permitted the use of proportional spaced fonts, where characters occupy a different amount of horizontal space according to their width.

The decision was taken to use Diablo’s daisy wheel technology in a typewriter that would sell for less than $500 and an automated factory was constructed near Dallas, which took less than 30 minutes to assemble a Xerox typewriter due to the low number of parts. The Xerox typewriter was well received but never achieved the projected sales numbers due to the advent of the PC and word processing software. The typewriter was later modified to be compatible with PCs but the engineering which made it a low cost device reduced its flexibility.

By the mid-1980s daisy wheel technology was rapidly becoming obsolete due to the growing spread of affordable laser and inkjet machines, and daisy wheel machines soon disappeared except for the small remaining typewriter market.

Graphics

Although the daisy wheel principle is basically inappropriate…(and so on)
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