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History

Virginia Slims was introduced on July 22, 1968, by Philip Morris, and marketed as a female-oriented spinoff to their Benson and Hedges brand. The blends, flavorings, color scheme, and overall marketing concepts closely followed the Benson and Hedges model. Early packs (1968-1978) read “Benson and Hedges Park Avenue New York”, near the bottom.

The first test market was San Francisco, California. The test was originally scheduled for six months, but was cut short after six weeks due to the success of the introduction - a nearly 3% market penetration. Distribution and marketing was implemented nationwide, and by September 30, 1968, the entire U.S. was covered.

In 1976, a 120-mm full-flavor packing was test-marketed in Fresno, California. Designed to compete with RJ Reynolds ‘More’ brand, the test ultimately failed and this entry was withdrawn.

In 1978, Virginia Slims Lights were introduced, with good success. Although early marketing concepts included soft pack, Philip Morris decided to use a box-pack design only.

Throughout the early 80’s, growth and market penetration was significant, drawing the attention of competitors who introduced competing brands (including American Tobacco Company’s Misty and Brown and Williamson’s Capri brands).

In 1984, Virginia Slims Ovals were test marketed, but were unsuccessful and withdrawn. Ovals were light, and had an oval-shaped cross section.

In 1985, Virginia Slims Luxury Light 120s were introduced - a 120 mm length packing again intended to compete with RJ Reynolds ‘More’ brand, as well as other 120s on the market. The introduction was successful. This packing has since become a mainstay of the smoking glamour community.[citation needed] It is arguable as to whether VS120s are truly ‘light’, since their rating numbers compare more closely to full-flavor.

In 1987, Ultra-Light 100s were introduced, in keeping with changing consumer tastes, other competitive entries, and the Benson and Hedges model. Marginally successful, this packing remains on the market today.

In 1990, Ultra-Light SuperSlim 100s were introduced, in response to ultra-thin (21mm circumference) competition and consumer demand for a ‘low-smoke’ product entry. These were also marginally successful, and remain on the market.

In 1993, a 10-Pack version of Light 100s were introduced, with 10 cigarettes per pack, costing approximately half the price of a 20-pack. This entry had limited success and came under attack from critics. It was ultimately withdrawn.

In 1994, Virginia Slims Kings (85mm length) were designed as a discount entry and possibly to compete with other king-size entries such as RJ Reynolds’ Camel brand. It is not clear whether Kings were ever test marketed, but they were never introduced.

In 2003, a box-pack was introduced for full-flavor 100s, in response to consumer demand.

In 2004, Ultra-Light 120s were introduced with marginal success. It is likely that this packing will continue to be supported.

In 2008, Virginia Slims Superslims introduced a smaller size “Purse Pack. , underwater led lights .

All packings were simultaneously introduced in both Menthol and Non-menthol (e.g., Regular or Filter) varieties. Menthol usually represents 45%-55% of the total sales of a particular packing , dynamo flashlights .

In all, there have been 11 packings introduced or test marketed in the US, of which 7 are still on the market. There are other varieties marketed in the Asian-Pacific region, Russia, and South Africa. Virginia Slims has never had a significant European or South American presence.

Marketing

From inception, Virginia Slims have been designed and marketed as a female-oriented brand, generally targeted towards a younger demographic (18-35 year olds). While various themes have emerged in the marketing campaigns over the years, the basic threads have been independence, liberation, slimness, attractiveness, glamour, style, taste, and a contrast to men’s cigarettes.

In the 1960s and 1970s, the themes of feminism and women’s liberation, with the slogan “You’ve Come A Long Way, Baby” were often used in the ads, and often featured anecdotes about women in the early 20th century who were punished for being caught smoking, usually by their husbands or other men, as compared to the time of the ads when more women had equal rights, usually comparing smoking to things like the right to vote. Television and print ads often featured well-known models and designer fashions. Print ads were generally placed in women’s magazines, and formed the mainstay of the marketing campaign, supplemented with billboards and point-of-purchase displays. From 1969 until 1971, television advertising was an important component.

Virginia Slims also sponsored the Women’s Tennis Association Tour. This sponsorship is sometimes credited for the growth and success of women’s tennis during the 70’s and early 80’s.

Several other, less important, marketing vehicles were employed, such as the Virginia Slims Book of Days (a day timer/calendar book), fashion shows, and an extensive line of products, apparel, and accessories.

The Leo Burnett advertising agency handled the Virginia Slims account throughout most of the product lifetime.

Market share

From its inception until 1978, Virginia Slims saw a steady increase in market share to 1.75% (3.9% of all female smokers). With the introduction of Lights in 1978, the market share increased to 2.5%. Other packings, including 120s, Ultra Lights, and Superslims helped push the market share to a peak of 3.1% (nearly 7% of female smokers) in 1989. With increased competition from other brands, notably Capri and Misty, the brand lost ground but stabilized at around 2.4% though 2003. Since then, it has lost about .1% per year, and was 2.0% in 2007. This slow but steady decline is expected to continue, since the brand is no longer heavily promoted. Despite this, brand loyalty is well above average, and is still one of the highest in the industry.

Media

Virginia Slims was the last cigarette brand to advertise on US television, airing an ad just before midnight on the night of New Year’s Day 1971. The ad aired during an episode of The Tonight Show Starring Johnny Carson and featured a pre-Hill Street Blues Veronica Hamel.

The slogan “You’ve come a long way, baby” is the name of the 1998 album of the British musician Fatboy Slim.

In an episode of Futurama, a character resembling Joe Camel says “You’ve come a long way, baby.”

In an episode of American Dad, the main character Stan finds himself hanging out of with Gay Republicans that break out in song, they mention that they like to smoke Virginia Slims.

In an episode of Family Guy, Peter Griffin becomes the President of a cigarette company and makes it on the cover of multiple magazines, one saying “You’ve come a long way, honey”.

In the episode Boys and Girls of The Office Michael says to Jan, “You’ve come a long way, baby”.

Late Actress Natasha Richardson smoked Virginia slims.

References

^ http://www.cdc.gov/tobacco/data_statistics/sgr/sgr_2001/highlight_marketing.htm

^ Internet Archive: Details: Virginia Slims Commercials

^ http://www.archive.org/details/tobacco_ndo23e00

See also

Fashion brands

Altria Group

Smoking culture

Tobacco smoking

Categories: Philip Morris brands | 1968 introductions | Cigarette brandsHidden categories: Articles lacking sources from April 2008 | All articles lacking sources | All articles with unsourced statements | Articles with unsourced statements from June 2008

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Containers

Main article: Child-resistant packaging

In the United States, child safety locking mechanisms have been required by law since 1970 on all containers for potentially dangerous medicines and household cleaning products. These laws are enforced by the Consumer Products Safety Commission. These locking mechanisms may take several forms, but the most common is a design that requires a tab to be pressed firmly as the lid is twisted. Great strength and dexterity are not required to open the bottle, but the process is deliberately made to be unintuitive, and the children who might recklessly eat pills are unable to decipher the opening instructions[citation needed]. Parents and guardians are firmly admonished. to keep all such containers out of the reach of children anyway, as no locking device is foolproof. It has become common practice in households to keep medicines and pills in high cabinets (sometimes locked) for safety[citation needed]. Cleaning agents, however, are still generally kept under sinks, where they are accessible[citation needed].

Cabinet doors

Another type of lock is an inexpensive device which can be easily installed into drawers, cabinets, or other openables to prevent easy opening. It consists of a bendable plastic rod with a blunt hook on one side, and is situated on the inside of the drawer or cabinet. The hook catches on part of the drawer or door and prevents opening unless the rod is bent downward simultaneously to disengage the hook. These devices are helpful to pet owners as well a typical housecat may be able to paw open a cabinet filled with food, but would have trouble operating the hook mechanism. Also available are electromagnetic cabinet locking devices that are activated via remote control.

Automotive

Child safety locks are also built into some cars to prevent children from opening the doors during transit; vehicles have been built with this feature since the early 1980s. The lock is typically engaged via a small switch in the side of the door such that the switch is hidden when the door is closed. While it is locked, the passenger door cannot be opened from the inside. Some vehicles implement window-locking mechanisms as well.

References

^ Gaunt, Michael J. (May 2007). “Child-resistant does not mean Childproof”. Pharmacy Times. http://www.pharmacytimes.com/issues/articles/2007-05_4676.asp. Retrieved on 3 March 2009.

v d e

Automotive design

Part of the Automobile series

Body

Framework

Automobile platform Body-on-frame Bumper Cabrio coach Chassis Continental tire Crumple zone Dagmar bumpers Decklid Fender Fender skirts Grille Hood Hood scoop Monocoque construction Overhang Pillar Pontoon fenders Quarter panel Shaker scoop Spoiler Subframe Tonnea , bluetooth usb key .

Compartment , bicycle cable lock .

Trunk/Boot/Dickie Hood/Bonne , door deadbolt lock .

Door , file cabinet keys .

Butterfly doors Gull-wing door Scissor doors Suicide door Sliding doors Canopy door

Glass

Greenhouse Sunroof Power window Quarter glass Windshield/Windscreen Windshield/Windscreen wiper

Other

Curb feeler Bumper sticker Hood ornament Japan Black paint Monsoonshield Nerf bar Tire/Tyre Tow hitch Truck accessory

Exterior

Equipment

Lighting

Daytime running lamp Headlamp Hidden headlamps High-intensity discharge lamp Retroreflector Sealed beam Trafficators

Legal and other

Vehicle Identification Number Vehicle registration plate Vanity plate Parktronic Motor vehicle theft Windshield/Windscreen washer fluid Wing mirror

Interior

equipment

Instruments

Backup camera Boost gauge Buzzer Carputer Electronic instrument cluster Fuel gauge Global Positioning System and Automotive navigation system Head-up display Idiot light Malfunction Indicator Lamp Night vision Odometer Radar detector LIDAR detector Speedometer Tachometer Trip computer

Controls

Bowden cable Cruise control (speed control) Electronic throttle control Gear stick Hand brake Manettino dial Steering wheel Throttle

Theft deterrence

Key Car alarm Immobiliser Klaxon Automatic vehicle location VIN etching

Safety & seating

Airbag Armrest Automatic seat belt Bench seat Bucket seat Child safety lock Rumble seat Seat belt

Other

Air conditioning Ancillary power Car audio Car phone Center console Dashboard Flat tire Glove compartment Motorola connector Power steering Rear-view mirror Sun visor

Portal Category

Categories: Automotive safety technologies | Automotive accessories | Locks | Child safety | Safety equipmentHidden categories: Articles needing additional references from August 2007 | All articles with unsourced statements | Articles with unsourced statements from May 2008

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It needs additional references or sources for verification. Tagged since March 2008.

It may require general cleanup to meet Wikipedia’s quality standards. Tagged since February 2008.

K-platform

Manufacturer

Chrysler Corporation

Production

19811995

Predecessor

F-bodyJ-bodyM-body

Successor

PLJALHNS

Class

Compact carMid-size carMinivan

Layout

FF layout

Body style(s)

2-door convertible2-door coupe3-door hatchback4-door sedan4-door station wagon5-door hatchback

Engine(s)

2.2 L K I42.2 L Turbo I I42.2 L Turbo II I42.2 L Turbo III I42.2 L Turbo IV I42.2 L TC I42.5 L K I42.5 L Turbo I42.6 L Mitsubishi G54B I43.0 L Mitsubishi 6G72 V63.3 L EGA V63.8 L EGH V6

The Chrysler Corporation’s K-cars were compact-to-midsize cars designed to carry six adults on two bench seats and were aimed not only to replace Chrysler’s nominally-compact F-body Aspen and Volar, but also to compete with intermediates like the Chevrolet Malibu and Ford Fairmont. Based on their passenger space, the K-cars were placed in the same “midsize” category by the United States Environmental Protection Agency? as Chrysler’s significantly larger and heavier M-body cars

The K cars have been categorized as compact for their external size and small front-wheel drive layout. Technically, the K cars include only the Dodge Aries, Plymouth Reliant, second generation Chrysler LeBaron, and the Dodge 400, which used the K platform. The rest of the K-derivatives, including Chrysler’s minivans, were based on the K platform with adaptations and modifications to suit vehicles of different size and intended usage. These vehicles had modified suspensions and were longer and heavier than the original K-cars, but all had the same basic architecture: a solid beam rear axle, independent front suspensions with MacPherson struts, and front-wheel drive (except for the AWD minivans). Sometimes, they also shared numerous internal components and trim pieces (e.g. the Reliant and first-generation Voyager).

Contents

1 Sales figures

2 Stretched-wheelbase versions

3 Derivatives

4 Common platforms

5 Nameplates

6 References

//


Sales figures

The actual K-cars (Dodge Aries, Plymouth Reliant, Chrysler LeBaron, Dodge 400, and, in Mexico, Dodge Dart) sold very well, selling between 280,000 and 360,000 every year from 1981 to 1988, and edging over 100,000 in their final year, 1989. The manual transmission provided acceleration of 0-60 mph in 10 seconds, while the automatic was between 13 and 14 seconds, similar to or better than most competitors, while gas mileage was rated by the EPA at 26 mpg city, 41 mpg highway with the manual transmission. All had a 100.1-inch (2.54m) wheelbase. The overall length of the two and four-door models was 176inches (4.5m). The wagon was 0.2inches (5.1mm) longer. The vehicles had a 13-gallon fuel tank. The coupe and sedan had approximately 15cubic feet (0.42m3) of luggage space; the wagons, 35cubic feet (0.99m3) with rear seat up and about 70feet (21m) when folded. Numerous improvements to the sound insulation and general feel were made in 1983; in 1985, the Reliant, Aries, and LeBaron received a facelift, with a rounded front fascia, smoother hood, and bigger taillights, accompanied by fuel injection on the 2.2 liter engine and a 2.5 liter engine replacing the Mitsubishi 2.6.

They were also initially very profitable, and Lee Iacocca credited them with allowing Chrysler to pay off its loans early.

Stretched-wheelbase versions

The first stretched-wheelbase K cars, introduced in 1984, were not given their own platform letter, but had stretched wheelbases with New Yorker styling in front: the Chrysler Executive Sedan and Limousine. They were made at the St. Louis assembly plant, and held five and seven passengers, respectively. The pair were powered by a carbureted Mitsubishi 2.6 liter four-cylinder engine coupled to the usual Torqueflite automatic transmission, though in the last year of the Limousine, a turbocharged (but not intercooled) Chrysler 2.2 liter four-cylinder engine was added. Standard features included air conditioning, cruise control, power brakes, front and rear cigarette lighters, front/rear divider and rear compartment with cabinet (Limousine), rear defroster, digital instrument panel, electronic voice alert, tinted glass on all windows, hood ornament, lights that went on with the dual horn, illuminated entry, a full lighting package inside, opera lights outside, dual power mirrors, power antenna, locks, windows, and driver’s seat, FM stereo, “luxury cloth” seats, tilt steering, leather steering wheel, intermittent wipers, and padded landau roof. The sedan lasted two years, while the limousine lasted four.

Derivatives

The K-derivatives offered a large variety of engines depending on year and model. Four cylinder engines were initially equipped with carburetors; fuel injection was phased in beginning in the mid-1980s. Engine output ranged from 86hp (64kW) to 224hp (167kW). Most vehicles had the 2.2L or 2.5L Chrysler four-cylinder engine, though from 1981-1986 a 2.6L Four and from 1987-1995 a 3.0L V6, both made by Mitsubishi, were offered. All had electronic ignition.[citation needed]

Chrysler economized greatly across the K-derivative models with standardized parts, so that many parts (aside from sheet metal) are easily interchanged across the lines, leading to owners upgrading by using higher-power or sportier K-derivatives’ parts.

However, in the 1990s, lack of investment in the K-derivative models coupled with the effects of too much cost-cutting and standardization[citation needed] led to a reliance on heavy rebates to sell the vehicles, causing Chrysler to lose money on many of these vehicles.[citation needed]

Though the K-derivatives did not generally have a strong reputation for performance, several were notable, particularly the Dodge Spirit R/T, which could reach 60mph (97km/h) in under six seconds, and the Daytona R/T.

Common platforms

Use of a common platform is a common practice for reducing the number of parts and engineering time, and Chrysler, when creating the K platform, was building vehicles from a small number of common platforms (e.g. F/J/M and R). Lee Iacocca claimed that the huge number of parts in inventory and the complexity of building many completely different versions of vehicles was one reason Chrysler was losing money, and directed the engineers to focus on making a large number of common parts where they would not be visible to customers; this was already common practice in Japan and Germany and would help to make the K-cars profitable even at low prices.

Nameplates

Chrysler applied nameplates somewhat capriciously, so that there could be an E-body New Yorker at the same time a C-body New Yorker was sold; there were also numerous, very different LeBarons for sale at the same time. While there were no Jeep- or Eagle-branded K-derivatives made, at least one Rubicon-ready prototype was made.

Cars using the K platform and its variants

K midsize cars

1981-1989 Dodge Aries (often referred to as the Aries K, owing to strong publicity for the K cars)

1981-1989 Plymouth Reliant (as above, also known as the Reliant K)

1982-1988 Chrysler LeBaron (coupes and convertibles were produced on this platform until 1987)

1982-1988 Chrysler LeBaron Town and Country

1982-1983 Dodge 400

1982-1988 Dodge Dart K (Mexico only)

1982-1988 Valiant Volare K (Mexico only)

1983-1988 Plymouth Caravelle coupe (Canada only)

1983-1986 Chrysler Executive limousine

1984-1986 Dodge 600 coupe and convertible

1984-1987 Dodge Magnum 400 and Dodge Magnum Turbo (Mexico only)

1985 Chrysler 600 (Mexico only)

E…
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AQUA Sorb is a solid, granular cross-linked sodium polyacrylate Advanced Super Absorbent Polymer SAP that rapidly absorbs & retains large volumes of aqueous solutions, converting them into a semi solid, gelled state. AQUA Sorb is a remarkable, yet economical tool for spill management, containment, clean up and disposal. AQUA Sorb: Is Non Toxic, Non Hazardous; does not produce heat or off-gasses. Meets and exceeds EPA, OSHA, & ANSI Guidelines for absorbent material performances Passes the Paint Filter Liquid Test Non Biodegradable polymer Expands by less than 1% when hydrated Solidifies most aqueous solutions in less than 2 minutes; does not require mixing. POSSIBLE USES FOR AQUA SORB: Autopsy Absorbents: Stops or cleans up leakage of body fluids and offers vapor suppression: Autopsy, funeral homes, hospitals, etc. Baby and Adult Diapers: An estimated 2 billion pounds per year in the U. S. Alone Body Cooling Gels for Apparel: Bandanas, headbands, wrist ban


In knitting, the word Gauge, technical abbreviation GG, refers to “Knitting Machines” fineness size (not to the proportion, thickness or fineness of the finished knitted artifact, its stitch “wideness” or row length/depth).

Indeed “Gauge” is the unit of measure, a ize that expressed by a well precise number of needle gives the Power Workable Size of a Knitting Machine. This nit of measure is equal to the number of needles contained in the auge (size) and it is simply countable on the Bed of Needles of each knitting machines, flat or circular. Lying flat a measure tape (preferable metal) on the bed of needle with edge flip 00 insert into the channel of one needle channel, extend the tape as long as for 4-5, then count the needles channel contained within 00 edge and the 1 line, the total number of channels will give you the number of needles contained in 1 and therefore the Size or Gauge of the Power Machine. This operation will acknowledge you also on the range of thickness or size of yarn to be use on the machine and will anticipate the final thickness or fineness of the final knitted fabric.

There are 2 types of classification of Knitting Gauges or Unit of Measure: A Used for Cotton Fully fashion flat machines (Bentley Monkey, Textima, Sheller etc..) where the auge is equal at 1,5 Inches (2,54 cm x 1,5) and the size of any machine auge it is expressed with the number of needles contained into the Gauge or into 1,5. B Used for hand, mechanical or modern Electronic Flat Machines (Stoll, Shima, Protti etc..), where the auge has been adjusted to reach 1 Inch only (or 2,5 cm) and the size of machine auge it is expressed with the number of needles contained into the Gauge or into 1 = 2,54 cm.

Compared graduation scale Gauge (GG) A versus B system: A 30 GG (A) Cotton Fully-fashion flat machine (30 needles in 1,5) it is comparable to a 20 GG (B) Electronic Flat machine, a 27 GG (A) is a 18 GG (B), a 18 GG (A) is a 12 GG (B), a 12 GG (A) is a 8 GG (B), a 7,5 GG (A) is a 5 GG (B) and a 4,5 GG (A) is a 3 GG (B).

Contents

1 Factors that affect knitting gauge

1.1 Uneven knitting

2 Knitting gauge in patterns

3 Measuring knitting gauge

4 References

5 External links

//


Factors that affect knitting gauge

The gauge of a knitted fabric depends on the pattern of stitches in the fabric, the kind of yarn, the size of knitting needles, and the tension of the individual knitter (i.e., how much yarn they allow between stitches).

For example, ribbing and cable patterns tend to “pull in,” giving more stitches per width than stockinette, garter, or seed stitch. Even the same stitch produced in two different ways may produce a different gauge; for example, a swatch of stockinette stitch may not have the same gauge as one knit in reverse stockinette stitch.

Thicker yarns with less loft generally produce larger stitches (reducing the number of stitches per width and height) and may impose an upper limit on the gauge (maximum number of rows/stitches per inch).

Larger knitting needles also produce larger stitches, giving fewer stitches and rows per inch; changing needle size is the best way to control one’s own gauge for a given pattern and yarn.

Finally, the knitter’s tension can affect the gauge significantly. The gauge can even vary within a single garment, typically with beginning knitters; as knitters become more familiar with a stitch pattern, they become more relaxed and make the stitch differently, producing a different gauge.

Sometimes the gauge is deliberately altered within a garment, usually by changing needle size; for example, smaller stitches are often made at the collar, sleeve cuffs, hemline ribbing or pocket edges.

Uneven knitting

Uneven knitting is a knitting technique in which two knitting needles of different sizes are used. The method is sometimes used when the knitter has a significantly different gauge on knit and purl stitches. It is also useful for producing elongated stitches and certain specialty patterns.

Knitting gauge in patterns

To produce a knitted garment of given dimensions, whether from one’s own design or from a published pattern, the gauge should match as closely as possible; significant differences in gauge will lead to a deformed garment. Patterns for knitting projects almost always include a suggested gauge for the project.

For illustration, suppose that a sweater is designed to measure 40″ around the bustline with a gauge of 5 st/inch in the chosen stitch. Therefore, the pattern should call for 200 stitches (5 st/inch x 40″) at the bustline. If the knitter follows the pattern with a gauge of 4 st/inch, the sweater will measure 50″ around the bustline (200 st / 4st/in) — too baggy! Conversely, if the knitter follows the pattern with a gauge of 6 st/inch, the sweater will measure ~33″ around the bustline (200 st / 6st/inch) — too…(and so on)
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The Stockholm Globe Arena represents the sun. The rest of the solar system is scattered in, and north of, Stockholm.

The Sweden Solar System is the world’s largest scale model of the solar system. The sun is represented by the Globe Arena in Stockholm, the largest hemispherical building in the world. The inner planets can also be found in Stockholm but the outer planets are situated northward in other cities along the Baltic Sea.

These are the locations of the planet and object models throughout Sweden:

The Sun, Stockholm Globe Arena (Globen), the largest hemispherical building in the world, 110m in diameter (incl. the corona).

The inner planets

Mercury, Stockholm City Museum, 25cm in diameter, 2900m from the Globe.

Venus, KTH (Royal Institute of Technology), 62cm in diameter, 5500m from the Globe, inaugurated June 8, 2004. There is also a model of Venus located at the Observatory Museum.

The Earth, Cosmonova (The Natural Historical State Museum), 65cm in diameter, 7600m from the Globe. There is an elaborate model of the Moon, 18cm in diameter, located at NHSM near the Cosmonova.

Eros, an asteroid, at M?rbyskolan school in Danderyd 11 km from the Globe. It was created as a Valentine’s Day project in gold, modeled after Eros the god of love. The dimensions are 20.70.7mm (0.98mm3).

Mars, M?rby centrum, a shopping centre just northeast of the city centre, 35cm in diameter, 11.6km from the Globe.

The outer planets

Jupiter, at the large city airport Arlanda, made as a flower decoration at the roundabout near Sky City, 7.3m in diameter, 40km from the Globe.

5025 PL, in a park in Alsike, Knivsta Municipality. The park contains Erik St?hl’s monumental cosmic sculptures. It’s not a sculpture but a dot on the SSS map, 0.2mm, 60km from the Globe.

Saturn, not inaugurated. It is planned to build a planetarium with the model including rings as the roof. The planetarium will be built close to the ?ngstr?m laboratory in Uppsala. It will be 6.1m in diameter and 73km from the Globe.

Uranus, The Furuviks Park in G?vle, close to the “Uruviks Park”, telling about the Hedenh?s-children, 2.6m in diameter, 143km from the Globe.

Neptune, in S?derhamn, is made of acrylic and at night shines with a blue light, 2.5m in diameter, 229km from the Globe.

Dwarf planets Pluto and Charon, near the Dellen lake in Delsbo, formed by a meteorite impact 90million years ago. The sculpture includes a rare mineral called dellenite formed by the impact. It’s 12cm in diameter and 300km from the Globe.

Asteroids and planetoids “outside” the solar system

Ixion, Technichus, H?rn?sand, formed as an orb in a hand with the arm, 6.5cm, 360km from the Globe.

Comet Swift-Tuttle, Kreativum in Karlshamn. The orbit is special, closest to the Globe in the inner Stockholm and farthest in Karlshamn, Blekinge, 390km from the Globe

Sedna, a trans-neptunian object, located in Teknikens hus in Lule?, 912km from the Globe.

The Terminal Shock, the farthest point the gas from the sun reaches. It is belain in the thin air and it’s made a so-called shock front. This strange phenomenon has no sculpture, but a foundation for a future sculpture. It is 950km from the Globe, in Kiruna, above the Arctic Circle.

External links

Sweden Solar System Official Homepage

Categories: Scale modeling | Bodies of the Solar System | Science and technology in Sweden | Buildings and structures in Sweden | Visitor attractions in Sweden(and so on)
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The City of Lost Children

The City of Lost Children Promotional Movie Poster (France)

Directed by

Jean-Pierre JeunetMarc Caro

Produced by

Ficie Dutertre

Written by

Gilles AdrienJean-Pierre Jeunet

Starring

Ron PerlmanDaniel EmilforkJudith VittetDominique Pinon

Music by

Angelo Badalamenti

Cinematography

Eric CaroPhilippe LeSourdDarius Khondji

Editing by

Ailo AugustHerve Shneid

Distributed by

Sony Pictures Classics

Release date(s)

May 17, 1995

Running time

112 min.

Country

France

Language

French

Budget

$18,000,000

The City of Lost Children (French: La Cit des enfants perdus) is a dystopian French fantasy/drama film by Marc Caro and Jean-Pierre Jeunet released in 1994. The film is stylistically related to the previous and subsequent Jeunet films, Delicatessen and Amie.

Contents

1 Plot

1.1 Detailed synopsis

2 Cast

3 Video game

4 See also

5 References

6 External links

//


Plot

The movie revolves around a plot by the mad scientist Krank (Daniel Emilfork), who kidnaps children to steal their dreams. Among them is the little brother of carnival strongman One (Ron Perlman), who sets out to rescue him and stop Krank. Aided by an orphan girl named Miette (Judith Vittet), he eventually manages to overcome many obstacles and stops Krank.

Detailed synopsis

The movie opens with a scene in which a small boy in his bedroom is surprised by Santa Claus emerging from the fireplace and giving him a toy. The pleasant scene soon turns grim, however, as many more Santa Clauses enter the room, scaring the child. The scene is abruptly ended with a close-up of Krank, screaming, and being released from a strange, elaborate machine. The little boy from the dream sequence is also revealed to be attached to the machine, and Krank moves up to him, glaring menacingly. A brain in robotic machine, known as Irvin, proceeds to explain that Krank stole the boys dream, and questions whether Krank’s plot will end well. Also in the room are several clones of the exact same man, and a midget woman, who is shown to be a motherly figure. An enraged Krank takes the boy’s teddy bear and angrilly tosses it out a window, where it is seen falling off the oil platform into the sea.

The image of the sea fades to a small port town, where a carnival is being held. A shot reveals several posters declaring children to be missing. At the carnival, we see a small child picking pockets, a group of missionaries for a strange religious cult of blind men (known as Cyclops), and a show with a strongman, known as One. Just as One is about to break his chains, there is a scream from the public, as a little boy, who was collecting money for the show, is seen biting the arm of the pickpocket. The ringmaster drags him upstage, but another man also jumps upstage, covertly stabbing the man and escaping the scene. One is seen breaking his chains, and proceeds to take the ringmaster home.

Later that evening, we see One in his home, taking care of the injured ringmaster and his little brother, Denr. Suddenly, several members of the Cyclops cult arrive, equipped with some kind of mechanical eye that allows them to see (labeled Optacon), as well as a device that makes their hearing supersensitive. As they dangle a candy apple in front of the window to lure Denr outside, they later go inside, finding Denr and One hiding in a cupboard. One attempts to kick the Cyclops out, but they manage to take Denr and escape in their truck. One pursues the truck, but is followed by two of the Cyclops that had stayed behind. Deciding to hide inside the harbormaster’s office, One is surprised to find several small children inside, robbing a safe. They see the Cyclops coming, and dress up One as the harbormaster, tying him to a chair. The Cylops enter, and take what remains of the money from the safe, then leaving. The children leave as well, but One follows them, believing they know where to find the Cyclops. They tell him to get lost.

Back on the oil platform, the clones and the woman are seen celebrating Irvin’s birthday. Krank enters, and asks what all the fuss is about, and leaves again, to be called back by Irvin. Irvin says Krank might be able to solve his problems by studying his own tears. Asking who could make him cry, Irvin proceeds to detail the oil platform’s history: Once, there was a highly gifted scientist. Lacking a wife or children, he proceeded to make his own. He started with the wife, making her very beautiful, but due to a defect, she turned out a midget. For his children, he made six clones of himself, but they too had a defect, all being narcoleptic. Wanting someone to talk to, he created a migraine-ridden brain in a jar. And then, his masterpiece, a man more intelligent than anyone on earth….(and so on)
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(Redirected from Leave it to Psmith)

Leave it to Psmith

Author

P. G. Wodehouse

Country

United Kingdom

Language

English

Genre(s)

Comic novel

Publisher

Herbert Jenkins

Publication date

November 30, 1923

Media type

print (hardcover)

Pages

327 pp

ISBN

NA

Preceded by

Psmith, Journalist (Psmith), Something Fresh (Blandings)

Followed by

Blandings Castle (shorts), Summer Lightning (novel)

Leave it to Psmith is a comic novel by P. G. Wodehouse, first published in the United Kingdom on November 30, 1923 by Herbert Jenkins, London, and in the United States on March 14, 1924 by George H. Doran, New York. It had previously been serialised, in the Saturday Evening Post in the U.S. between February 3 and March 24, 1923, and in Grand in the UK between July and December that year; the ending of this magazine version was rewritten for the book form.

It was the fourth and final novel featuring Psmith, the others being Mike (1909) (later republished as Mike and Psmith (1953)), Psmith in the City (1910), and Psmith, Journalist (1915) - in his introduction to the omnibus The World of Psmith, Wodehouse said that he had stopped writing about the character because he couldn’t think of any more stories.

It was also the second novel set at Blandings Castle, the first being Something Fresh (1915). The Blandings saga would be continued in many more novels and shorts.

The story was adapted into a play by Wodehouse and Ian Hay, which first played at the Shaftesbury Theatre, London from September 27, 1930 and ran for 156 performances. An Indian television serial called Isi Bahane was based on the same novel.

Contents

1 Plot introduction

2 Plot summary

3 Characters in Leave it to Psmith

4 See also

5 External links

6 References

//


Plot introduction

Although the main character is Psmith (here called Ronald Eustace rather than Rupert as in previous books), the bulk of the story takes place at Blandings Castle and involves various intrigues within the extended family of Lord Emsworth, the absent-minded elderly Earl.

The plot is a typical Wodehouse romance, with Psmith inveigling himself into the idyllic castle, where there are the usual crop of girls to woo, crooks to foil, imposters to unmask, haughty aunts to baffle and valuable necklaces to steal. Among the players is Psmith’s good friend Mike, married to Phyllis and in dire need of some financial help; the ever-suspicious Rupert Baxter is on watch as usual.

Plot summary

Down at Blandings, Lord Emsworth is dismayed to hear from Baxter that he is expected to travel to London to collect the poet Ralston McTodd, invited to the castle by his sister Connie, a keen supporter of the Arts; another poet, Aileen Peavey is already installed at the castle.

Joe Keeble tries to persuade his imperious wife to let him give money to his beloved stepdaughter Phyllis, but is bullied out of it, and when Emworth’s feckless younger son Freddie suggests stealing Connie’s necklace to free up some cash, Keeble is taken with the idea. Freddie, not keen on doing the job himself, sees Psmith’s advert in the paper, and tags along to London with Lord Emsworth.

Meanwhile in the metropolis, we learn that Mike, having married Phyllis on the assumption that his job as estate manager for Psmith’s father would be secure, found on Mr Smith’s death that the old man was bankrupt, and is working as a poorly-paid schoolmaster. Psmith worked for a time for an uncle in the fish business, but could stand the fish no longer and quit.

Phyllis meets some old school friends, including Eve Halliday, an assertive young girl who pities the once-rich Phyllis, believing her too soft to cope with penury. Eve, we learn, is a friend of Freddie Threepwood, and on his encouragement has taken a post cataloguing the Blandings library, while another friend, Cynthia, has been abandoned by her husband, famous poet Ralston McTodd.

Later, Psmith sees Eve sheltering from the rain opposite the Drones, and chivalrously runs out to give her the best umbrella from the club’s umbrella rack. They later meet once more at an employment agency, where Psmith has come seeking work and Eve is visiting an old friend. Psmith meets up with Freddie Threepwood, who describes his scheme to steal Connie’s necklace, but dashes off without revealing his name.

Soon after, Psmith runs into Lord Emsworth at the Senior Conservative Club, where the Earl is dining with Ralston McTodd. The poet is annoyed by Emsworth’s absent-mindedness, especially when the old man potters across the street to inspect a flower shop, and leaves in a rage. When Emsworth returns, he mistakes Psmith for his guest, and when Psmith sees Eve Halliday meeting Lord Emsworth, he decides to visit Blandings, posing as…(and so on)
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Auld Ones

Bernie and Mary

Format

Animation / comedy

Country of origin

Ireland

No. of episodes

26

Production

Running time

5 minutes

Broadcast

Original channel

RT Two

Original run

September 2003 July 2007

External links

Official website

Auld Ones is an Irish animated television programme broadcast on RT Two. It featured the antics of two Dublin pensioners, Bernie and Mary who sit at a bus stop reminiscing about their youthful adventures. The programme symbolises the tedium and meaninglessness of human life, which loosely connects the characters to one of the themes of existentialist philosophy. Divided into two series, it aired on Mondays at 22:40 and is a Wireless Production.

Contents

1 Characters

1.1 Bernie

1.2 Mary

2 Episodes

2.1 Series one

2.2 Series two

3 References

4 External links

//


Characters

Bernie

Details

Name

Bernadette Maria Contracepta Mulligan

Place of birth

St Consumpta’s Maternity Hospital

Starsign

Scorpio

Favourite singer

Ronnie Drew

Mary

Details

Name

Mary Concita Malingo Burke

Date of birth

3 September 1939

Starsign

Pisces

Favourite singer

Herself

Episodes

There are a total of twenty-six episodes aired over two series.

Series one

Series one began broadcasting in September 2003.

#

Episode

Summary

1

“Dodgy Smoked Cod”

Bernie relates a tale of her adverse reaction to a dodgy smoked cod, and the subsequent hallucination where she remembers her first boyfriend Frankie and their ill-fated tryst in the outdoor septic tank.

2

“January Sales”

In preparation for the yearly trip to Guiney’s, the ladies reminisce on the violence of the previous year’s January sales, and the lengths that some people will go for just one bargain.

3

“Intoxicous”

Bernie reveals the unique secret behind her happy marriage, and how she copes with Tommy’s rare drinking disorder, Intoxicous Perpetualis, whereby he must be kept in a state of suspended inebriaion to survive.

4

“PIO”

Mary’s miraculous medal triggers the memories of the Padre Pio Convention, the ladies’ long-time infatuation with their favourite saint and his related merchandise.

5

“Bingo”

Bernie relives her greatest achievement; her victory in the national Bingo Finals (with a little help from her best friend Mary). And we meet her arch-nemesis Big Celia, whose favourite pastime is revenge.

6

“Poltergeist”

Bernie’s account of her outrage over the supernatural mayhem she experienced in her house, and her subsequent domestication of the poltergeist when all the Exorcists were booked out, getting it to perform household chores in lieu of rent.

7

“Cunter-Terrorism”

Bernie describes how she decided to take a night course in The Late Late Show off-season, how the only course available was in Counter-Terrorism, and how she put these skills to good use in her daily life.

8

“Strip Club”

The second anniversary of their friend Bridie’s passing prompts their conversation of how they fulfilled her last wish for one last girl’s night out. They discuss their excursion to the local strip club and the one stripper who really caught their eye that night.

9

“The Internet”

Bernie tells her tale of when she won an “Internet” in a raffle, and how this peculiar assortment of components turned out to be most useful around the house; but not in the way anyone ese would employ a computer.

10

“Snce”

The ladies talk about how, in an effort to settle Bernie’s curiosity about her late twin sister’s affairs, they consulted a medium. The resulting snce consists of cross-dimensional arguments over the location of the heirloom crockery and other unresolved matters.

11

“The Bookies”

When a bookmakers opens up beside the local hospice, the girls avail of the special offer: placing bets on the outgoing patients. Bernie’s “horse” comes in an she spends her accumulator on some extravagant accessories.

12

“Papal Visit”

1981: John Paul II visits Ireland. Bernie describes her scheme that resulted in getting the pontiff to come over for dinner, and the ensuing mishap that led to him getting lost.

13

“Tea Bag Drought”

The girls talk about the dark days of the tea-bag drought, and their moon shining efforts to make their own tea bags; and their experimentation with different ingredients until a satisfactory simulation is found.

Series two

Series two began broadcasting in July 2007.

#

Episode

Summary

1

“A Tale of Two Livers”

Tommy needs a liver transplant and fast. However,…(and so on)
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For other uses, see Visor (disambiguation).



Apollo 12 astronaut Alan Bean, wearing a helmet with visor, during the second moonwalk EVA near Sharp Crater.

A visor is a surface that protects the eyes, such as shading them from the sun or other bright light or protecting them from objects. Nowadays many visors are transparent, but before strong transparent substances such as polycarbonate were invented, visors were opaque like a mask with small holes to see and breathe through, such as:

The part of a helmet in a suit of armor that protects the eyes.

A type of hat consisting only of a visor and a way to fasten it to the head.

Any such vertical surface on any hat or helmet.

Any such horizontal surface on any hat or helmet (called a peak in British English).

A device in an automobile that the driver or front passenger can lower over part of the windshield to block the sun (sun visor).

Some modern devices called visors are similar, for example:

Visor (ice hockey)

Types of modern transparent visors include:

The transparent or semi-transparent front part of a motorcycle crash helmet or police riotsquad helmets.

Safety faceshields for construction-type applications.

An eyeshield to protect the eyes from sunlight on an American football helmet.

A shield to protect the eyes from sunlight on a flight helmet.

Green eyeshades, formerly worn by accountants and others engaged in vision-intensive, detail-oriented occupations.

The word vizard (sometimes visard) is used in Shakespearean English to refer to a visor, a mask, or a disguise (ex. “There, then, that vizard, that superfluous case, that hid the worse and show’d the better face.” — Love’s Labors Lost V.ii.387).

References

^ Apollo 12 Image Library

^ http://www.mcmaster.com/#catalog/114/1775

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Nokia E65

Manufacturer

Nokia

Available

Released February 14, 2007;

Screen

Portrait 2,2 QVGA 240 320 TFT Screen 24 bits (16 million) colors

Camera

2 MP, 1600 x 1200 pixels,

Operating system

S60 platform third edition on Symbian OS

CPU

ARM 9 222 MHz

Memory

microSD (TransFlash), up to 2 GB (hot-swappable), 256 MB card included, 128 MB SDRAM Memory

Networks

Quad-band EGSM, WCDMA (3G)

Connectivity

GPRS Class 32, 107 kbit/s

HSCSD Yes EDGE Class 32, 296 kbit/s; DTM Class 11, 177 kbit/s 3G WLAN Wi-Fi 802.11 b/g, Bluetooth Yes, v1.2 Infrared port YesUSB Yes (Pop-port)

Battery

3.7 V 950 mAh lithium-polymer,

Physical size

105 mm x 49 mm x 15.5 mm

Form factor

Slide

Media

- MP3/AAC/AAC+/eAAC+/WMA player

The Nokia E65 is a smartphone in the Eseries range, a S60 platform third edition device with slide action targeting business users.[citation needed]

Contents

1 Key features

2 Operating frequency

3 Size

4 Display

5 User interface

6 Imaging

7 Messaging

8 Multimedia

9 Memory functions

10 Applications

11 Connectivity

12 Browsing

13 Data transfer

14 Personal information management (PIM)

15 Voice features

16 Digital services

17 Other features

18 Sales package contents

19 References

20 External links

//


Key features

Conference calling, voice recording, notepad, integrated handsfree speaker, talking ringtones, and Nokia Team Suite

SMS, MMS with distribution lists, instant messages, and email

One Touch keys for conference calls, mute/unmute, and contacts

Quad-band coverage on up to five continents

802.11b/g integrated Wi-fi

Symbian S60 3rd edition

Available in Black, Mocca Brown, Red, pink and periwinkle blue.

Operating frequency

Quad-band: EGSM 850/900/1800/1900

W-CDMA 2100

Voice over IP (VoIP) calls via integrated WLAN (IEEE 802.11g and 802.11b standards)

Size

Volume: 74 cc

Weight: 115 g

Dimensions: 105 x 49 x 15.5 mm

Display

Active-matrix QVGA color display (240 x 320 pixels) with color support for up to 16 million colors

Display contrast and brightness control

Display size 2.2in (5,6 cm)

User interface

S60 3rd Edition, built on the Symbian operating system

One Touch keys for mute/unmute, contacts, and conference calling

Five-way Nokia NaviTM key with two customizable soft keys, power key that can be used as profile key, and My Own key

S60 edit key located on the side of the device

Volume keys on the side of the device

Imaging



Photograph of Villa Park taken by the Nokia E65.

Take snapshots with the 2 megapixel camera (no built-in flash)

Messaging

Read email with attachments: supports POP/IMAP, SMTP, and IMAP4 with idle protocols

Instant messaging client (OMA IMPS 1.2)

Multimedia Messaging Service (MMS, ver. 1.2) for text, voice clips, video clips, and still images

SMS and MMS with distribution lists

Predictive text input T9

Multimedia

Video and audio streaming (3GPP & Real Media)

Music player (MP3/AAC) and media player

Open Mobile Alliance (OMA) digital rights management (DRM) 1.0 with forward lock

Memory functions

Up to 65 MB user memory

MicroSD memory card support (up to 2 GB maximum size)

Applications

Java MIDP 2.0-based games and applications

Attachment viewers for documents, spreadsheets, and presentations

Symbian V9 games and applications

Connectivity

Dual Transfer Mode (MSC 9)

Bluetooth 1.2 wireless technology

Pop-Port connector

IrDA with transfer rate up to 115 kbit/s

WiFi

Browsing

HTML Nokia browser

XHTML browser (HTTP stack)

Data transfer

EGPRS multi-slot class 32 for 5 + 3 (receive + transmit) timeslots (up to 6 timeslots total for maximum download speeds of up to 296 kbit/s)

Multi-slot class 32 is also supported with GPRS for a maximum downlink rate of 67 kbit/s

Remote and local (peer-to-peer) synchronization of calendar, contacts, notes and to-do list via Bluetooth technology, IR, or USB connectivity cable

Personal information management (PIM)

Calendar with weekly view, contacts, to-do list, and notepad for short notes all viewable while managing a phone call

Voice features

One Touch keys for direct access to contacts, mute/unmute, and conference calling

Voice dialing

Voice commands for menu short cuts, keypad lock, and profiles

Voice recording to record your own notes or conversations

Talking ringtones mix…(and so on)
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